Monday, 1 November 2010
Sunday, 31 October 2010
What is Neo-noir? (contemporary film noir)
Body Heat (1981)
The Postman Always Rings Twice (1981)
Bladerunner (1982)
Against All Odds (1984)
The Grifters (1990)
Deep Cover (1992)
Devil In A Blue Dress (1995)
Kiss Of Death (1995)
Fargo (1996)
L.A confidential (1997)
Twilight (1998)
Wild Things (1998)
Momento (2000)
Sin City (2005)
Hollywoodland (2006)
The Black Dahlia (2006)
Monday, 4 October 2010
Examples and synopsis of Classic Film Noirs
Director: Billy Wilder
Double Indemnity - 1944
Walter Neff is a successful insurance sales man who works for pacific all risk. He goes back to his office late at night and tells his story into a dictaphone. He meets the femme fetale of the story, Phyllis Dietrichson when he goes to renew her husbands insurance policy. During their conversation, it becomes very flirtatious with provocative phrases and sexual inuendo. He learns that she can take an insurance policy out without her husband knowing and wants to murder him to make a claim and tells her he wants no part of it. She visits him at his home and tells him that together they should kill her husband. Being in the business himself, he knows about all the rules etc, therefore he came up with a plan so that she would receive twice the insurance pay out using the "double indemnity" clause, whereby the husband dies an unlikely death. Phyllis wants Lola, her husband's daughter, killed because Lola suspects her of killing her parents. Walter finds out that Phyllis is also seeing Lola's boyfriend and decides to blame them for the murder. Phyllis tells him that she was seeing Lola's boyfriend so that he would kill Lola however, he attempts to shoot her but she shot him first. Phyllis hugs him and he shoots her. He confesses to the detective and says hes going to mexico instead of serving a death sentence but collapses when walking to the elevator.
some
Ace in the hole - 1951
Chuck Tatem is a news reporter who is short tempered and this has caused him to be fired from Americas best newspapers. He finds himself in Albuquerque, trying to get a job from Jacob Boot. He wants the job to save up the money to go back to New York or Chicago. He gets hired by him but he complains about the lack of news in the area. He gets sent with the photographer to cover the rattlesnake roundup but on the way he discovers that Leo Minosa is stuck in a cave in an old indian burial location. The local indians and Leo say that the spirits might have caused the cave-in as he's been stealing religious relics from the cave. he writes a story and to ensure he keeps the rights he makes a deal with the crooked sheriff for keeping Leo's location secret. Chuck finds out that the rescuers can get him out in 12 hours so he decides to persuade them to drill from above allowing him more time to write his story as instead of 12 hours, it will take 6 days. The New York newspaper hires Chuck back and pays him a large amount for the story. Leo becomes ill as the time passes and changes the lives of those who made profit from his suffering.
Evidence of some of the noir elements would be: the venetian blind effect, when Walter goes to confront Lola just before she shoots him, her face is covered in the blind pattern using contrasting shadows across her face with minimal light peering through the gaps. The use of contasting shadows in ace in the hole when he goes into the cave, bright light with dark black shadows.
Double Indemnity - 1944
some
Ace in the hole - 1951
Chuck Tatem is a news reporter who is short tempered and this has caused him to be fired from Americas best newspapers. He finds himself in Albuquerque, trying to get a job from Jacob Boot. He wants the job to save up the money to go back to New York or Chicago. He gets hired by him but he complains about the lack of news in the area. He gets sent with the photographer to cover the rattlesnake roundup but on the way he discovers that Leo Minosa is stuck in a cave in an old indian burial location. The local indians and Leo say that the spirits might have caused the cave-in as he's been stealing religious relics from the cave. he writes a story and to ensure he keeps the rights he makes a deal with the crooked sheriff for keeping Leo's location secret. Chuck finds out that the rescuers can get him out in 12 hours so he decides to persuade them to drill from above allowing him more time to write his story as instead of 12 hours, it will take 6 days. The New York newspaper hires Chuck back and pays him a large amount for the story. Leo becomes ill as the time passes and changes the lives of those who made profit from his suffering.
Evidence of some of the noir elements would be: the venetian blind effect, when Walter goes to confront Lola just before she shoots him, her face is covered in the blind pattern using contrasting shadows across her face with minimal light peering through the gaps. The use of contasting shadows in ace in the hole when he goes into the cave, bright light with dark black shadows.
Codes and Conventions of Film Noir
Codes and Conventions of Film Noir.
There are many things that define the film noir genre. Different codes and characteristics are used to give a distinctive look about film noir which separates them from the other genres for example lighting, shadows, cinematography and ideology.
Storylines and Narrative
Typical storyline would be: A depressed man who is often a detective, gets manipulated by a beautiful and promiscuous femme fatale. She usually gets him to something for her such as murder someone or take the blame etc. In the end their actions would lead them both to fall, often after a betrayal where the detectives life is taken. Often at the beginning of the film is shows the ending and leaves the viewer wondering what's happened and show the story through flashbacks. It's common for film noir to be narrated throughout the story by the main character.
Characters and Representation
There are generally two main characters in a film noir: the detective and the femme fatale.
The dectective is never much of a hero, he is usually a depressed man who walks aimlessly through dark allies and bars at night and never has anything good happen to him in his life. He is usually entranced by the femme fatale allowing her to control him and gets him into trouble.
The femme fetale is a promiscuous woman, she manipulates men into getting what she wants, often through the use of her beauty, provocative language and suggestion. The femme fatale is normally the detective's love interest and in the end betrays him and gets him killed. These noirs were made during the war with the women now being able to work, this meant the females in these films were a representation of the working women being empowered and being equal to or better than the males being shown how they are easily controlled.
Editing
Directors of film noir would use various techniques to distort and make the film uncomfortable for the viewer to watch such as: lighting. Film noirs have different uses of lighting to change how the viewer feels. They usually have low key lighting, involving stark light and contrasting dark shadows (also known as chiaroscuro) which partially covers characters faces or venetian blinds creating patterns, adding suspense and texture to the scene.
Cinematography
The use of cinematography in film noir is to make the viewer feel discomfort and the imagery distorted to make it unusual for the eye to watch. Various shots are used to produce this effect such as: dutch/skewed angle, low angle and wide angle.
Mise-En-Scene
Noirs have common locations and settings such as bars, dark alleys and are often set in the same scene. They are often in a large city such as New york or Los Angeles. Directors would normally re-use sets from other noirs as they are already there so the same set maybe seen in different films as it was cheaper than making a new set. The scene would usually be dark with only hints of contrasting light coming through barely open windows or light across the characters face. Typically rainy or wet weather.
Sound
As film noir is usually set in a bar or alley etc, there is minimal background noise to keep the quiet atmosphere and keep the viewer focused on the characters and what they are doing or thinking.
Ideology
The messages and values that film noir often gives is that doing bad things gets you nowhere, both the detective and the femme fetale get what they deserve in the end.
There are many things that define the film noir genre. Different codes and characteristics are used to give a distinctive look about film noir which separates them from the other genres for example lighting, shadows, cinematography and ideology.
Storylines and Narrative
Typical storyline would be: A depressed man who is often a detective, gets manipulated by a beautiful and promiscuous femme fatale. She usually gets him to something for her such as murder someone or take the blame etc. In the end their actions would lead them both to fall, often after a betrayal where the detectives life is taken. Often at the beginning of the film is shows the ending and leaves the viewer wondering what's happened and show the story through flashbacks. It's common for film noir to be narrated throughout the story by the main character.
Characters and Representation
There are generally two main characters in a film noir: the detective and the femme fatale.
The dectective is never much of a hero, he is usually a depressed man who walks aimlessly through dark allies and bars at night and never has anything good happen to him in his life. He is usually entranced by the femme fatale allowing her to control him and gets him into trouble.
The femme fetale is a promiscuous woman, she manipulates men into getting what she wants, often through the use of her beauty, provocative language and suggestion. The femme fatale is normally the detective's love interest and in the end betrays him and gets him killed. These noirs were made during the war with the women now being able to work, this meant the females in these films were a representation of the working women being empowered and being equal to or better than the males being shown how they are easily controlled.
Editing
Directors of film noir would use various techniques to distort and make the film uncomfortable for the viewer to watch such as: lighting. Film noirs have different uses of lighting to change how the viewer feels. They usually have low key lighting, involving stark light and contrasting dark shadows (also known as chiaroscuro) which partially covers characters faces or venetian blinds creating patterns, adding suspense and texture to the scene.
Cinematography
The use of cinematography in film noir is to make the viewer feel discomfort and the imagery distorted to make it unusual for the eye to watch. Various shots are used to produce this effect such as: dutch/skewed angle, low angle and wide angle.
Mise-En-Scene
Noirs have common locations and settings such as bars, dark alleys and are often set in the same scene. They are often in a large city such as New york or Los Angeles. Directors would normally re-use sets from other noirs as they are already there so the same set maybe seen in different films as it was cheaper than making a new set. The scene would usually be dark with only hints of contrasting light coming through barely open windows or light across the characters face. Typically rainy or wet weather.
Sound
As film noir is usually set in a bar or alley etc, there is minimal background noise to keep the quiet atmosphere and keep the viewer focused on the characters and what they are doing or thinking.
Ideology
The messages and values that film noir often gives is that doing bad things gets you nowhere, both the detective and the femme fetale get what they deserve in the end.
Tuesday, 21 September 2010
History of Film Noir
What is film noir?
Film noir is a style of film with similar codes and conventions. A group of films with pessimistic undertones and dark stylistics. Common settings for a film noir are rainy streets, dark alleys and seedy bars using long contrasting shadows against minimal light. A world full of wrong decisions, double crosses, crime, corruption, conspiracy and murder with the main characters generally being private investigators and femme fetales.
The origin of film noir
In WW2 the main concentration was the war effort. Therefore places in Europe couldn't get films from Hollywood. At the end of the war, the films finally arrived in France. After watching these films, french critics noticed a trend in these films, all having a similar dark tone and pessimistic attitude. Nino Frank was the one who coined the phrase "film noir" due to this fact. The depression and darkness of the war was expressed through these films.
B movies
In early Hollywood films, you would get 2 films instead of 1. An "A" movie and a "B" movie. The A movies would have all the famous actors, directors and big budgets. The B movie would be a cheaply made film using old sets and new actors. These movies were low budget and therefore werent watched as closely giving the directors more creative freedom, allowing them to create darker and illusive messages. This is where film noir was first created.
Pulp fiction
These were "hard boiled" crime books which helped influence film noir with dark tones, femme fatales, crime and murder. Common pulp fiction authors were: Raymond Chandler, James M Cain and Dashiell Hammet.
Gangster films
It is argued that film noir is not a genre itself but an extension of gangster movies and the sub-genre "crime". This is where film noir was adapted from, often using the same sets and crews.
Women during the war
Femme fatales were created because of the empowerment of women during these times. The women were now being able to work in the workplace as the men were sent to fight in the war. Before, women would usually be at home while the men worked. This was a big change from what the men were used to and the men felt threatened by the empowered women. This power is reflected through the femme fatales in the movies, being confident, provocative and attractive.
During the war, many of the eastern european film makers fled their countries to hollywood. It was these film makers that made some of the best film noirs made. All the emotions felt from the war, they brought back and expressed through their films and with them they brought new techniques and styles from europe.
German Expressionism
The style of german expressionism influenced film noir, using techniques such as the use of light and shade.
Red Threat
With the fascism of nazis and the cold war between the US and USSR, the americans gained an immense fear and hatred towards communism. This was known as "the red threat". Many of the directors grassed up other directors so that they would be blacklisted and could no longer work in hollywood. This created anxiety which was reflected in the noirs.
Welcome and Brief
Welcome to my AS media blog
Work Brief
I've been asked to make a 2 minute short film opening in the form of a film noir/thriller. It should update the genre while at the same time keeping the values, traditions, narrative, mood and conventions of film noir. I need to introduce the genre to a new audience using the contemporary style and setting of film noirs. I am to consider who will watch the film noir and where it would be watched for example cinemas, what time it would appear on TV etc.
What I am being asked to produce
In groups of 4, we should create a 2 minute thriller/noir opening sequence cert 15-18. All things used are to reflect the genre, pace and mood of the film we make. We all need to have a go at the different roles but I am expected to take control and responsibility for one of these roles.
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